Yomoyama: The Dirty Issue

Hey Nagano!

‘Tis the season to get your dirt on with Yomoyama. We’ve got toilet travel horror stories, shameful secrets to keeping warm in winter, pole dancing practitioners, shameful ski bunnies, a how-to guide for long nights in the dirty south, and so much more. Pull up some tatami space, pump that kerosene, and read on.

 

The Dirty Issue: Contents

Finance

The Putrid Practices of Payday Loan Centers by Nick McKay

Send a Kid to College: volunteerAKITA

Special Feature: Dirty Living

Dirty Winter Living by Emma Pierce

My Pred Left What? by Molly Conner

Travel

The Dirty South

Nights in Iida by Jared

The Dirtiest Things I’ve Seen Abroad

Special Feature: Remember your tissues!

Oh Thank God They Have Limes by Z. Hoel

To Taiwan, With Horror

An Idiot’s Guide to Shitting in the Woods

Creative Writing

Up the Country by Sorin Ridgeway-Browne

Child by Sarah Anderson

It Smells Rather the Same by Monica Pace

Diary of a Dirty Girl

Literature

Down and Dirty with Jane Austin by Sabbi Topal

Lifestyle

Pole: The New Dirty Dancing by Mademoiselle Sassy Bell

Final Thoughts

Dirty vs. Dirty

Work for Yomoyama!

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The Dirt

What have you heard?

Give us the dirt, Nagano. Those juicy little tidbits you’ve overheard and have been dying to tell, those pieces of gossip too good to pass up. We want it from you, and we want it anonymously. Submit below, using yomoyamamagazine@gmail.com for your address.

Names and details can be changed, identities can be protected, but we want that dirt!

Image courtesy of Jeroen van Oostrom @ freedigitalphotos.net

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Yomoyama: The Deception Issue

Dear Readers,

No lie – the Deception issue is here! Deception is a complex thing in the Land of the Rising Sun* — some of it’s expected, some of it’s intrinsic, and some of it just makes our lives a little easier.

With Halloween right around the corner, read on for all the trickery (and brutal honesty) that you can handle.

-The Yomoyama Staff

*Not a truthful nickname. The sun is going down at four, now.

Read in-browser below, or download the PDF here.

Yomoyama: The Deception Issue

Contributors and Content:

 

Deception:

The Science of Lying by Thirim Son

Yama Asks: Misconceptions and Preconceptions about Japan

Deceptions from Home

Deceptions from Japan

Deceiving Ourselves

Lies my JTE Told Me

School Lunch is Delicious!

A Childhood of Deception

Lying to a Lover

Lying to Your PA by Stephen Rodgers

Productive Conflict Between Friends

Lying to Strangers by Grant Peterson

 

Seasonal

Autumn: One Fatal Flaw by Dan Whitehead

 

Gourmet

Pan’s Labyrinth by Rus N.

Recipe Review by T. Marie

Deceptively Delicious Apple Crumble by Rus N

 

Travel

A Player of Panmunjom by S.A.Lough

The Site of Reversible Destiny by Molly Conner

 

Finance

Shooting the Sacred Cows of Money by Nick McKay

 

Literature

The Theif by Sabbi Topal

 

Creative Writing

Why we Should not Split Infinitives by Jared Maier

 

The Average Nagano-ite

The Worst Lie You’ve Ever Told

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Natsukashii: Yomoyama, Summer 2011

Dear Readers,

Natsukashii. It’s the theme of this summer’s issue, and a feeling that has been in the air during the past few weeks. July sees the Nagano community say goodbye to dear friends as they move forward with the next part of their lives. As wonderful as summer in Japan is, for those of you leaving and those of us staying, this time of year can’t help but bring a sense of natsukashii for the days gone by. This goal of this issue is to celebrate Summer — all of it. The good and the bad, the hellos and goodbyes. The high and the lows that make this season memorable.

We’re so very proud to present the Summer 2011 issue of Yomoyama. Enjoy the magazine below, in browser, or download the pdf directly by clicking here.

Yomoyama Summer 2011 Contents:

A New JET Year:

I Should Have Told Them: Anonymous Confessions
An Honest Orientation
How to Avoid the Second Year Slump: by Molly Conner
Senioritis: Advice for Continuing JETs

Saying Goodbye

Leaving Japan
Reflections of a Toppled Dictator: by Tom Read

Yama History

History of the Mountain: by Tonya Kneff

Travel

Tokyo Island Getaway: by Emma Pierce
Cleaning up the Aftermath: by Shannon Lough

Work

Do Nothing Days

Summer Fashion

DIY T-Shirt Madness: by Ashley Alexander

Creative Writing

Nagano Binzuru: by Sam Buchanan
Yamamoto Girl: by Anthony Ciero
The Thunderhead: by Justin K. Ellis
[On Poems, 22] by Molly Conner

Gourmet

A Taste of Home

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I Should Have Told Her…

Ah, summer, what power you have to make us suffer and like it. 

~Russel Baker 

Natsukashii. It’s not nostalgia alone: it’s a twinge of bitterness, a realization that moments pass. While we fill our summer days up with as much as possible, inevitably, some things don’t make the cut. Often, we take it upon ourselves to make sure of that. 

Everyone’s had a time in their life when they’ve kept quiet. What’s something you should have said, could have said, but didn’t? Finish the sentence:

“I should have told her/him…”

Submit it below anonymously, by using yomoyamamagazine [at] gmail [dot] com as the email address. Deadline is July 1st. Comments will remain unpublished until the issue goes live.

Image courtesy of: Digitalphotos.net

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Yomoyama: Spring 2011

Dear Readers,

The spring issue of Yomoyama is here! Read below for a diverse compilation of spring life in Japan: spring sporting, reflections on love (and heartbreak – who do you think is cheating on their girlfriend?), finance, travel, creative work, tips on saying goodbye from former ALTs, and much more.

As always, you can read Yomoyama in browser below, or you can download the pdf directly (http://www.megaupload.com/?d=AX7TDN4G).

Thanks for sticking with us, and enjoy the read.

Yomoyama Spring 2011 Contents:

Work:

Kids Write the Darndest English by Hcir Semog

 

Travel:

Hozawa Onsen by Lee Denhaan

Finance:

JLPT on the Cheap by Emma Pierce

Budgeting with Nick by Nick Mckay

 

Special Feature: Spring Sports:

Running Your First Marathon by Dan Whitehead

A Beginner’s Tale by Shannon Lough

 

Special Feature: Leaving Japan

My Last Year in Japan: Reflections

Flashes of Yesterday by Ike Glinsmann

 

Special Feature: Love in Japan

The Skype Relationship by Jen Cammarn

White Day by Kitsune!

I’m a Cheater by Anonymous

Single and Happy by Noah Rection

 

Photography / Art:

Moments in Shinshu by Erin Street

Sadness and Hope by Daniel Pierce

Venus by Justin K. Ellis

The Soul’s Flight by Justin K. Ellis

Gourmet:

Dangerously Delicious Taco Dip by Shannon Lough

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Checking In: Tohoku Earthquake and Tsunami



A father and child walk through an area damaged by earthquakes in Sendai. Picture: AP Photo/Kyodo News.

“When love is deep, much can be accomplished.”

-Shinichi Suzuki

We here at Yomoyama are hoping that you are all safe and well, following the sobering and ongoing events of last week. We are happy to report that every JET in Nagano-ken is safely accounted for, and that there have been no reports of major damages. Our thoughts right now are with those thousands of people over the past week who have lost their loved ones, homes, and livelihoods and for those working to contain the situation at Fukushima.

In light of recent events, we are extending the deadline for spring submissions to Friday, March 25th. Please take the time to take care of yourselves, first.

The past week has been tragic, but it has also thrown into sharp focus how deeply, immediately and unquestionably the people of Japan take care of their community. Reports coming in from evacuation sites all take the time to remark on the communal spirit that permeates the camps. The lack of fighting, the orderly lines, the temporary neighbors looking after one another’s well being.

This doesn’t come as a surprise to those of us who have had the privilege of living and working in Japan – it simply reaffirms what we already knew: that this country and its people are good, that their spirit is strong, and that — even though it may be hard to see it right now, through the 24 hour news cycles, the aftershocks that we aren’t sure are real or tricks of our collective imaginations, the fear, the gas shortages, the panicked calls from home – things will not end in fire, but in hope. In community. Japan will get through this. And we will get through it with them, a part of them, with the bonds between our sense of home and our adopted country stronger, more real, than ever.

For English-language resources that feature up-to-date news about the situation in Japan, please visit:

http://english.aljazeera.net/

http://www3.nhk.or.jp/nhkworld/index.html

http://www.jma.go.jp/en/quake/20110315233441391-152231.html

The costs from this tragedy have been predicted to exceed $187 billion dollars. That is a burden no single country can carry alone. To donate to ongoing earthquake and tsunami relief efforts, please visit:

http://www.redcross.org

http://www.unicef.org/

To learn more about earthquake preparedness, and for information to prepare your own earthquake kit at home, please visit:

http://www.redcross.org/portal/site/en/menuitem.53fabf6cc033f17a2b1ecfbf43181aa0/?vgnextoid=537b218c37752210VgnVCM10000089f0870aRCRD&currPage=e507d7aada352210VgnVCM10000089f0870aRCRD

http://www.ready.gov/america/getakit/

And for more information about the situation in Fukushima, visit:

http://nei.cachefly.net/newsandevents/information-on-the-japanese-earthquake-and-reactors-in-that-region/

Stay safe, stay calm, and stay strong. Things will get better.

-Molly Conner

Editor-in-Chief

Posted in 8. Spring 2011, The YomoYama | Tagged , , | Leave a comment

Special Spring Feature: Love in Japan!

Screw Valentine’s Day: everyone knows that Spring is the real season of love. We are dedicating a special feature section of the upcoming Spring 2011 issue to love and heartbreak in Japan. Nagano’s dating scene can be tricky for foreigners, and we’d like to hear your stories. Email yomoyamamagazine@gmail.com or submit your tales anonymously at the bottom of the page to be compiled into the issue. The deadline is March 15th. We want your take on (but certainly not limited to!) the following:

  • Dating a native: Are you currently in a relationship with someone from Japan, or have you been in the past? How did you meet? How does this relationship differ from ones you have had in the past? How do cultural differences, language barriers, and/or an expiration date to your time in Japan affect the relationship? What is your advice for other cross cultural couples?
  • Dating a JET: Look. We’re a group of sexy, English speaking people. It happens. Are you now or have you ever been a JET dating a fellow JET? How does being in such close proximity define the relationship? What challenges does the relationship present, given that everyone here knows everyone else? Have you ever broken up with a fellow JET? What was the post-breakup protocol like, and have you been able to maintain a friendship since? What is your advice for other ALTs that might be giving each other longing looks from across the Mid Year Conference table?
  • Dating someone from a different company: Not every ALT is a JET and not every JET is an ALT! Dating someone employed by a different company can be a lot less stressful than dating someone from your own – but that doesn’t mean that these relationships are without their own set of challenges! Are you currently a private dating a JET? A JET dating a private? What’s your story, and what’s your advice for people in similar situations?
  • Dating long distance: is the other half of you in the other half of the world? How do you maintain a long distance relationship with the one you love? What are the pitfalls, the perks, and the ultimate payoffs?
  • Dating gone wrong: Do you have a cautionary tale about dating in Japan? Go out on one date with a guy, only to have him introduce you to everyone as his girlfriend? Date someone that you see every day and break up only to realize that you still have to see them every day? We want your cautionary tales, so that others might read and beware!

Due to the sensitive information that some of these stories might contain, all submissions will be published as “anonymous” unless specifically stated otherwise. Feel free to change names/details if the identity of those involved needs protecting. If you do not feel comfortable with even the Yomoyama editors knowing your identity, feel free to submit your stories anonymously below. Comments will be screened and will remain unpublished until the magazine is compiled. Write “anonymous” under the name category and use yomoyamamagazine@gmail.com as your email address.

Posted in 8. Spring 2011 | Tagged , | Leave a comment

Yomoyama: Winter 2011

The Winter IssueDear Readers,

Welcome to the winter issue of The Yomoyama! Herein lies a veritable manifesto of winter living in central Japan. Whether you want to hit the slopes or hibernate under the kotatsu,  there’s something in this issue to help you get through the season. So pull up a chair, cushion, apple barrel, or whatever else is on hand and enjoy the latest issue. You can read the magazine in-browser below, or download a pdf of the issue right here.

Happy reading, and thanks for sticking with us!

Yomoyama Winter 2011 Contents:

Lifestyle
Rich’s Winter Driving Tips by Richard Gomes
Sweet Spots for Snow Sports by Patricia Dorsher
Manifesto of a Reluctant Occasional Skier by Molly Conner
In Defense of Pink by Hugh G. Rection

Travel
A Thai Holiday: Photos by Dougal Graham
Reverse Culture Shock by Shannon Lough

Gourmet
Two Boxes of Apples by Erin King

Music
An Important Question by Derek Hurst

Special Feature Section: To Beard or Not to Beard
Men of Our Time by Anthony Ciero
Beards Are Evil Twin Designators: A Gentlewoman’s Rebuttal by Molly Conner
Re-Rebuttal by Daniel Pierce

Creative Writing/Personal Essay
PROTREPTICUS: A Dialogue by Justin K. Ellis
Boarding Bliss by Richard Gomes

Posted in 7. Winter 2011, The YomoYama | Tagged , , | Leave a comment

Welcome to Nagano

Welcome to Nagano AJET

Who we are:

Nagano AJET is a group for anyone living in Nagano who wants to be part of the international community. We organise monthly gatherings, such as camping trips and barbecues in summer, Thanksgiving Dinner  in Autumn, and cherry blossom viewing parties (hanami) in spring. We also organise some bigger events such as the annual ski trip (February) and adventure weekend (May). Plus we have started our own Arts festival, which we host in July.

What we can do for you:

As a member of Nagano AJET you get first dibs on attending our events, though they are always open to everyone, whether you are a member or not. Membes get discounts on our events. Plus you have access to our growing pile of useful stuff to help everyone get the most out of their time in Japan; from camping equipment to Lonely Planets and Japanese language guides, we’ve got it. So you don’t have to go and buy all that stuff that you might only use once or twice.

We aim to bring the international community in Nagano together, no matter where you work or who you work for (or if you work at all for that matter). It doesn’t matter if you are a JET or not or just a local Naganite wanting to practice your English. Everyone is welcome.

A word on Tohoku:

In light of recent events in the north-east of Japan, Nagano AJET has been in contact with other local AJET chapters in the affected regions. We are working with them and we have offered our long term support to those regions in whatever way we can for whatever period is required.

Posted in Events, Japan Travel, Lifestyle, Nagano AJET, Outdoors, Snow and Ice, Sports | Tagged , , , , | Leave a comment

Yomoyama Magazine: Fall 2010

Hello, Dear Readers!

Some of you have contacted us here at Yomoyama, inquiring as to the future of the magazine. Well, look no further! Here it is! Yomoyama magazine is now a fully-online publication. You can peruse the magazine in your browser, print off a copy, or download it directly to your own e-reader. All of this is available at no cost to you! Please enjoy the fall 2010 edition of Yomoyama magazine online, chalk full of tips for surviving and thriving in the Nagano fall, alongside creative works that will get you basking in the beauty of the season. We’re incredibly proud of the product that has been produced, and are confident that you’ll enjoy the read.

All the best,

Molly Conner

Editor-in-Chief, Yomoyama Magazine

Yomoyama Fall 2010 contents:

Travel & Leisure:
Leaf Peeping Hotspots in Nagano: Erin King
Open Mic Nights at Café Oread: Emma: Pierce
5 Japan-y Things to Do for 2000 Yen or Less: Patricia Dorsher
I Went To Bali and All I Got was this Stupid Perspective: Emily Haymans

Lifestyle:
Oh, You’re the Canadian: Katrina Barrie
The Frankie Libido Playbook: Part 1: Frankie Libido
Thi’s Top Five Thrift Tips: Thirim Son
I Wish I had Known…: Emma Pierce and Facebook
So you Wanna Take the JLPT: Joshua Friedman

Prose and Poetry:
Fall is a woman with straw in her hair: Sarah Anderson
Seasons 1&2: Wes Robertson
The Brook: Justin K Ellis
10 Fall Haiku: Sam Buchanan
A Pocket Dictionary: Molly Conner
Book Review: The Thousand Autumns of David de Zoet: Matt Keighley

Cooking:
How to Make Goya Chanpuru: Shannon Lough
Oven-Free Cookies: Ashley Alexander
Rice Cooker Mac and Cheese: Molly Conner

And for those of you who would rather just download a PDF of the magazine directly, simply click here!

Posted in 6. Fall 2010, The YomoYama | Tagged , , , , | Leave a comment

A Ball-Kickin’ Good Time: ALT Soccer Tournament in Nagano!

Mary passes to Jess, Jess shows some fancy footwork as she dribbles past a defender, she takes the shot and … GOOOOOOOOOAL!  Nice work, Nagano!

For the past 9 years, teams from all over Eastern Japan have gathered in Nagano’s own Sugadaira to play in the ALT Soccer Tournament.  The tournament was started by three former JETs, two of whom lived in Nagano, for the benefit of foreigners living and working in Japan. Though it’s called the “ALT Soccer Tournament,” you don’t have to be an ALT to play, nor do you have be “foreign”.  The teams are regionally based and, depending on the prefecture, some players do not necessarily play together or even see each other until game day.

The tournament has both men and women’s teams. While the men play full-pitch, the women play only 6-a-side on a half-pitch with smaller goals.  Usually there are about 8-10 women’s teams and about 10-15 men’s.  Even if you can’t “Bend it Like Beckham”, you can still come out and play!  Teams are comprised of all skill levels—from the “soccer…that’s the one where you kick the ball, right?” level to the “I’ve played since I was three” level—anyone is welcome! All you really need is an interest in playing, some cleats/boots, and a pink t-shirt (if you’re on the Nagano women’s team).  The main objective of the tournament is to have fun! Win or lose, the pitches in Sugadaira are a great place to spend a weekend.

Nagano has been the tournament’s host since its inception and we really hope to have both a men and a women’s team to represent our amazing prefecture.  We have to finalize the roster by September 24, so please let us know if you want to play!

Women’s Team Capitan – Tonya – tonyaslists@hotmail.com

Men’s Team Capitan – Ross – rml_xl@hotmail.com

Here are the details:

* Tournament dates: Saturday, October 2nd and Sunday, October 3rd (the game times may start around 9 in the morning)

* Tournament location: Sania Park in Sugadaira (on the mountain between Ueda and Nagano City)

* Cost: 4500-10,000 yen (depending on whether you want to stay in the tournament hotel or not. Nagano teams usually stay at the Hoshi Boshi Lodge in Sugadaira or with people who live nearby; regardless, accommodation can easily be arranged).

* For more information:

1) Nagano Ken Footy Facebook Group:

http://www.facebook.com/posted.php?id=14858040777#!/group.php?gid=14858040777
2) ALL ALT Tournament Website: http://sites.google.com/site/altsoccertournament/home

3) Access to Sugadaira: http://www.sugadaira.com/acc.html

4) ALT Soccer Facebook Group: http://www.facebook.com/group.php?gid=18983637000#!/group.php?gid=18983637000&v=info

P.S. The Nagano women’s team won it twice last year—you can check out some photos here:

http://sites.google.com/site/altsoccertournament/easternwinners

Posted in Outdoors, Sports | Leave a comment

Fukuro Chan: Eco Manga and New Directions in Enviornmentalism

by Whitney Conti

In 2008, Mastumoto based artist Charlie Ward drew an upside down plastic bag with the simple idea that, “if you find rabbits cute, you might feel bad eating one.” He named the wide-eyed plastic bag Fukuro chan in hopes that its comic strip would lessen wasteful plastic bag consumption. Today, Fukuro chan is a book series and regularly appears in Japanese newspapers and media. But being eco is just a part of Ward’s mostly slapstick manga.

Ward describes Fukuro chan as “a bag. It’s funny. It’s cute.” Fukuro chan’s mishaps almost never have eco messages or anything particularly environmental about them. The loveable plastic bag doesn’t drive a Hummer or pour oil on baby seals. However, paralleling the eco movement to Fukuro chan melting on a heated Japanese toilet, for example, is a stretch.

Fukuro chan is just a normal comic, whose book sales and merchandising happen to fund reforestation and whose conception happens to be eco minded. Ward’s subtle approach to environmental awareness is part of a new generation of activists blending the lines between environmentalism and daily life.

So far, Fukuro chan has been met with an overwhelmingly positive reception, but simply as a cute and likeable character, which Ward says, “has always been my goal. Eco stuff often seems hollow, fake, boring, preacher like, done and old school.”

Today eco may seem excessive because many companies are capitalizing on a trend that’s been forty years in the making. Children have grown up with Earth Day as an implicit school event, but like the U.S.’s basic Clean Air and Water acts, Earth Day didn’t exist officially until the early 1970s. Even more recently, much of the eco stuff Ward is referring to which may seem “old school” now was brand new only a decade ago.

The 1992 Captain Planet animated series, for example, was revolutionary for its time as an explicitly environmentalist cartoon in mainstream media. In 2010 though, Captain Planet and his Planeteers’ unabashed efforts to fight pollution and corporate greed may seem outdated or cliché.
After the activist efforts of the 70s and 80s, the 1990s’ Hollywood gleaned popularity, and today’s sweeping global presence, environmentalism may have to rely on more integrated approaches to hold the public’s attention. Now that 21st century environmentalism is no longer a niche movement, eco “edutainment” can seem tiresome after two decades of media presence.

Even though comics like Fukuro chan may not be overtly eco, by integrating eco ideals and sustainable business practices into everyday sectors of life, efforts like Fukuro chan may be the future of the environmental movement sustaining itself. To withstand the fad like fervor of anything “organic” or “natural,” the environmental movement may have to push beyond marketing itself as “eco” to avoid being alienating, elitist, or segregated from everyday life and people. As Fukuro chan illustrates,being environmentally conscious can be cute, funny, and all together normal.

Posted in 4 Smell. April. May. 2010, Manga and Anime, Politics, Pop Culture | Leave a comment

Dave Carlson on making the Matsumoto Based Japan-o-files podcast

I was really excited when I heard that YoMoYaMa Magazine would be doing an issue devoted entirely to SOUND. Yes! All my life I’ve been fascinated with sound. I remember how, as a little kid, I used to love putting strips of paper and paperclips on the strings inside our piano to create odd noises. When I was eight, I was given an old Sony open-reel tape recorder, and I used it to alter recorded sounds by flipping the tape and playing it backwards or at half speed. As a teenager I got heavily into music and into performing in groups – I accompanied people on piano; played violin and keyboards in theater pit orchestras; and jammed with friends on guitar. In high school I even lugged a Sousaphone around so I could take part in the marching band. When it came time for college I naturally chose to go into music, and I spent four wonderful years reveling in sound and as a performance major. Later, while in grad school, I had a chance to work for several years as a research assistant in an instrumental phonetics lab – a truly awesome experience in which I got to use everything from ultrasound to spectrographs to analyze and record speech.

Fast forward twenty-some years. I now live in Japan, and I teach English at a small dental school in Nagano-ken. Teaching English to future dental professionals is fine. It pays the bills. The hours are good. And the subject matter can be interesting. No complaints.

But… my passion is still SOUND – both creating it and recording it. On weekends, you can usually find me at the keyboard, where I’ll often spend hours at a time improvising. Wednesdays are also great. In fact, Wednesday evening is often the musical highlight of my week – a time when a group of us musicians, mostly expats, get together at a kominkan in Matsumoto for our weekly jam session. Although we’re occasionally asked to play a gig somewhere, it’s mainly about the joy of just hanging out and making music with friends.

As for recording, I recently started an audio project which I call “The Japanofiles”. Actually, it’s a podcast about life here in Nagano-ken, and the show features foreign residents talking about their experiences.

Doing a podcast has been wonderful. Besides satisfying my desire to tote around loads of recording equipment and act like an audio geek once again, I get to ask questions and then sit back and listen as people talk about the amazing things they’ve done. So far I’ve put out close to 30 episodes, in which my guests have talked about lots of interesting stuff, such as

l        what it was like to work at GEOS when it went bankrupt

l        the challenges for a American woman to become a ‘good’ Japanese daughter-in-law

l        experiencing racial discrimination in Japan

l        the history behind the Matsumoto-Salt Lake City sister city relationship

l        what it’s like for a foreigner to run a traditional Japanese ryokan

l        training and competing at judo in Japan

l        doing a year-long bicycle journey around Japan

l        life as an international student at Shinshu University

l        the challenges of organizing a city-wide Halloween event in Matsumoto

l        wrestling with one’s own cultural identity

l        working as a self-employed carpenter in Japan

l        translating the entire Vampire Hunter D series of Japanese novels

l        hiking around the northernmost region of Honshu

l        buying a house in Japan

l        starting and running a language school in Japan

And lots more. I have also done on-location segments at a number of local events, including the Ame Ichi festival, the Taimatsu Matsuri, and the Tour de Utsukushigahara hillclimb bicycle race.

Check it out. The podcast is on iTunes. Or just Google “Japanofiles Podcast” to find lots of download sites. And please let me know what you think.

Also, if you have an idea for the podcast, or if you plan to be in Matsumoto and would like to share your experiences in front of the microphone, please get in touch. You can reach me at DaveInNagano@hotmail.com

Cheers,

Dave Carlson

Posted in 5 Sound. JuneJuly. 2010, Arts and Culture, Reflections, The YomoYama | Tagged , , | 2 Comments

Nagano Summer Music Festivals

photos and write-ups by Whitney Conti

Ueda Joint

August 6,7,8: Ueda Castle, Ueda

Live Painting is featured on both sides of the main stage every year at Ueda Joint Music Festival

Sandwiched between the Ueda city outdoor skate park and Ueda Castles’ high stone walls, Ueda Joint combines earthtones with skateboards and psychedelic jazz with jam band rock. Unfortunately, this year’s Ueda Joint suffered some downsizing and changes apparently due to noise and crowd complaints. So instead of the usual multiple stages, vendors, and DJs tucked in Ueda castles’ upper park and forest, this year was focused on the main stage and lower area. Even though I was slightly remiss with the lack of nestled forest DJs and light shows, Ueda Joint never disappoints with diverse music line ups and true community power. The free entry and easy accessibility in Ueda’s city center attracts families, Tokyo-ites, locals, and even people just passing by. A Japanese friend once called it Nagano’s Woodstock because it’s open atmosphere, free ticket, and seamless integration of young families makes it feel truly free and organic.

The Festival always has performances into the night but is not an all night camping event

Peaceful Garden

September, Lake Kizakiko, Omachi


Peaceful Garden is one of the smaller and most relaxed, subdued music festivals of the prefecture. There is a small main stage but the emphasis is mostly placed on the camping, lake, and tall trees that turn into a small community of friends and families for the weekend. Napping, dancing, bbqs, swimming…this festival is a relaxing taste of young Nagano culture. It is also the only festival I have yet to see slack lining at as well as some of the more decked out camping set ups complete with mini blow torches for cooking. *Note: There is a small ticket charge and parking is a small walk away- there may also be a bus service.

Kiso Kodo Rock in Camp Festival

September, Woods, Kiso


Kiso Kodo is the most buried festival in Nagano. The main stage, camp sites, and vendors are tucked in Kiso’s thick, cool woods and only accessible via bus (and there is a shuttle bus from the train station and parking lot). The music line-up is more rock heavy, but there is also some more interesting acts wilike solo piano vocalists, high energy ska bands, and of course tie tied jam bands.*Note: Tickets can be bought in advance or at the “door” (foldable table in the woods).  

 

Sawagosa

September, Iiyama Ski Mountian, Iiyama

Sawagosa’s setting is unlike many of the other festivals because it is under the bare sun atop a Nagano ski hill instead of the shade of woods or lakes. In the lush green of summer, Sawagosa creates a ampitheatre feeling with one main stage facing a crowd encompassed by local food vendors, live painting, and crafts. The festival also offers yoga classes and masseuse tents for small fees.

Posted in 5 Sound. JuneJuly. 2010, Hakuba, Iiyama, Japan Travel, Kiso, Nagano, Places, Ueda | Tagged , , | 2 Comments

Nagano in a Nutshell: N,S,E,W,Central

Nagano's Monkey Park

photos and text by Whitney Conti

Nagano is the kind of inaka which attracts famed artists, first class alpinists, and a rich culture based around local food and unique landscape. However, the prefecture’s English tourism information is limited and often too general. The result, when it’s not ski season, is many tourists wandering around Nagano city’s Zenkoji temple wondering how to access this illustrious outdoors and culture from the heart of an altogether so so city.

Nagano is famous for soba noodles so they are a bit of a must. For soba veterans, take a trip to Togakushi for its temple trails, soba, and ninjas.

Because the prefecture can take over 6 hours to span by train, the best way to approach Nagano is by region and day trips. Below is a flash summary of Nagano’s best areas for contemporary art, hiking, forests, ninjas, alps, jazz, edo architecture, Tokyo centric outlet shopping, and even Japan’s largest wasabi farm.

North : Ninjas, Shrines, Soba, and Cedar lined trails & forest reserve…Togakushi
North : Wild Monkeys relaxing in natural hot springs (small hike in)…Jigokudani
North : Hokusai woodblock prints, Cobbled Streets, Wine, Galleries…Obuse
North : Zenkoji temple, painter Higashiyama Kai, best jazz bars…Nagano City
*Central : Castle, Shops, modern artist Yayoi Kusama, Nags’ best city…Matsumoto
*Central : Wasabi Farm, Glass Blowing, Galleries, Soba Making, Hiking…Azumino
*Central S: Mountains, Camping, Trails…Kamikochi Natl. Park
Central E: Most ski mountains, summer mountain biking,hiking: Hakuba
Central W: outlet shops, Tokyo-ites, outdoors, Yoko/John’s Getaway…Karuizawa
South : walk/hike bt. Tsumago and Magome Edo period postal towns…Kiso Valley

*Matumoto City, Azumino Country side, & Kamikochi Alps

Azumino is also just an hour from Hakuba Ski mountains. Cortina mountian is an insider recomendation for any power junkies particularly.


Many of the areas and trips highlighted above are best accessed by car, though there is public transportation. Without a car, however, the best all in one play area of the Alps and Nagano culture is Matsumoto city and the surrounding Azumino, Kamikochi area.

On clear days, the Matsumoto Castle grounds are a great vantage point to see the Alps.

Matsumoto City:

Matsumoto is a small, stylish city packed with book shops, University students, cafes, sweets, and historic landmarks like Matsumoto Castle. The best area for strolling is Nawate Dori, nicknamed “frog street” for the large frog statue beaconing the narrow street entrance. The pedestrian only walkway is a collection of Japanese knick knacks, antiques, and food stands especially popular for taiyaki (fish shaped pastries) and sembe crackers. For foreign food cravings, Bakery Street Café has the only Reuben sandwich in Nagano ken.

For arts, Matsumoto city is also the hometown of artist Yayoi Kusama, famed for her controversial art, infinite polka dots, and influential role in N.Y. cities’ 1960s art world and the global pop art movement. As the centerpiece of the Matsumoto Museum of Contemporary Art, there is an entire floor dedicated to Kusama’s pattern centric, phallic covered works. To find the museum entrance, just find Kusama’s two-story polka dotted courtyard installation.

Azumino Valley

The Alps Gate, Galleries, & Outdoorsyness

From Matsumoto, sampling Nagano outdoors and local culture is only a half an hour train ride away at JR Hotaka station. From the station, which is the heart of Azumino, there are inexpensive bike rentals to explore the Alps entrenched valley known for its glass blowing studios and galleries. Buses to reach the gates of Alpine Hiking on Mt. Jonen and Mt. Tsubukuro. And a tourism office with maps and advice for accessing the nooks, crannies, and organic farms and cafes of Azumino (which are most easily done by car (or taxi) or very fit bikers).

Wasabi Beer, Mayonnaise, & Ice Cream

Banana Moon Cafe and Gallery, Azumino

By bike from Hotaka station, you can cruise to Hotaka shrine’s in house bakery, Tokoji temple’s giant orange geta, soba houses, and Hotaka’s most popular attraction, the Daoi Wasabi Farm. As Japan’s largest wasabi farm, Daoi has wasabi chocolate, beer, mayonnaise, and soft serve ice cream. From Hotaka sta. to the wasabi farm, you also pass by KonaKona soba house. If you don’t have time to make your own soba buckwheat noodles at this half work shop/ half restaurant, KonaKona’s tempura, Japanese pickles, and house soba are always fresh, local, and delicious.

Mt. Hikaijouyama: Short Hike with Sweeping View

For a short hike, particularly during cherry blossom season, Sakura Trail of Azumino’s Mt. Hikarijouyama is easy, no gear necessary, and has views of the entire valley and Alps range. For information and access to all of the above just stop into the tourism info center next to Hotaka station.

Kamikochi National Park:

Longer Treks and Alpine Hikes

Kamikochi also has shorter day hikes and afternoon legnth trails close to the base.

If your main interest in Nagano is hiking or the outdoors, you may as well go straight to the longer hikes and backpacking trips of Kamikochi National Park (上高地), Nagano’s Japanese tourist epi-center for good reason. Day hikes and backpacking trails are well kept but can be extremely crowded during peak season or the weekend. Access from Matsumoto is easy because private cars are not allowed.

For More Info & Detailed Directions:

Go! Nagano :

Prefectural Tourism Website

Matsumoto Welcomes You:

Matsumoto City English Website

Explore Azumino:

Azumino City/Area English Website

Posted in Azumino, Hakuba, Japan Travel, Kamikochi, Kiso, Matsumoto, Nagano, Nagano City | Tagged | Leave a comment

Zen Soba Bar and Restaurant, Hakuba

Zen Soba Bar has an impressive drink selection because its late opening hours make it popular apre ski and for a bit of food night life

Zen is frequently recommended by locals for its combination of traditional architecture and the diversity and locality of its menu. Local wine and sake, traditional soba with mountain vegetables, and newer variations like octopus with spicy olive oil and garlic sauce give Zen an edge over the more standard soba shops or izakaya bars in Hakuba.

Japanese Cuisine in Nagano’s Foreign Hub, Hakuba


Though many in Nagano go to Hakuba for the more International options like French inspired bakeries or Tex-Mex chimichangas, Zen has become a favorite for Japanese cuisine. Because Nagano is famous for soba, the buckwheat noodle served cold or in hot soups, Nagano is saturated with soba restaurants. Since opening in 2005, however, Zen has successfully gained popularity by cornering Japanese cuisine for a younger or slightly trendier demographic.

The Menu:

Traditional and Contemporary Japanese Cuisine with Spicy Roe flair

The food menu easily accommodates international clientele, in both English and Japanese, with enough options like tofu or vegetable tempura for those not ready to try sashimi (raw) horse meat or yamaimo, the slightly slimy mountain potato, with mayonnaise, cheese, and spicy roe (750yen).  The star of the menu, however, is Zen’s soba, which is fresh, delicious and affordable from 750 yen to 1,400 yen depending on the addition of mountain vegetables, mushrooms, shrimp, or tempura. If you are hungry, the go to choice is cold soba served with a healthy portion of tempura for 1,400yen.

Zen:

the Name and Design

Zen’s atmosphere thrives on its dark wood pillars, tatami matt floors, shoji sliding doors, and clean, simple decoration. The restaurant’s décor is sparse but cohesive and full. Except for the bar, all the tables are traditional tatami seating with cushions or floor chairs. The overall tans and woods of the tatami, rice paper, and walls are accentuated by bright orange closet doors which play off of the dark blue zabuton floor cushions at every table.
The restaurant can get busy on weekends or during the winter, which is Hakuba’s peak season for tourists and residents, so reservations can be recommended though usually not necessary.

Hours and Access:

Lunch 11:30-14:00
Dinner 17:30-21:00
Wednesdays: Closed
zen.srtbi.net
TEL: 0261-72-3637

Directions:
Zen is located on Olympic Road across from the Happo One 7-11. It is a 5-10 minute drive from JR Hakuba station and 5 minutes from the Happo One Village.

Posted in Hakuba, Japan Travel, Japanese, Nagano, Places | Tagged , , | Leave a comment

Kiyousumi-Shirakawa: Escaping Tokyo’s Heat withContemporary Art and Traditional Gardens

The Walk from Kiyousumi-Shirakawa station to Tokyo's Museum of Contemporary Art is full of gardens and neighborhood charm

photos and text by Whitney Conti

Accessing Tokyo’s best arts can mean massive crowds, busy train stations, and oceans of concrete, but it doesn’t have to. The 15 minute walk to Tokyo’s Museum of Contemporary Art, or MOT, from Kiyousumi-Shirakawa metro station winds past one of Tokyo’s best Japanese style strolling gardens and down a neighborhood street of small galleries and sweet shops. As Tokyo’s summer heat becomes sweltering and train cars turn to business suit attired saunas, Kiyousumi-Shirakawa metro stop is an arts portal to open, shaded parks and airy installations.

Kiyosumi Garden 清澄庭園

Koyosumi Garden is famed for the beauty of its central pond and seasonally changing reflection

Almost caddy corner to Kiyousumi-Shirakawa station, Kiyosumi garden has a diversity of design, greenery, and wildlife that rivals some of Kyoto’s best strolling gardens.  And, particularly for budget travelers, the 150 yen entry ticket makes it an easy stop for short or long strolls or even a shaded break from summer heat.

Kiyosumi’s Design and History :

Entertaining Mitsubishi Style

As a larger strolling garden, Kiyosumi is different from many of Kyoto’s smaller zen gardens that are tucked in temples and designed to be viewed from seated positions. Instead, Kiyosumi is more like a park that has been stretched around a central pond.  Business merchant, Kinokuniya Bunzaemon, was the first owner of the grounds. The architecture and design are exemplary of Kaiyuu style residences of edo period Feudal Lords. After Bunzaemon’s ownership, in the Meji period of 1878, Kiyosumi was purchased and transformed into a garden by Yataro Iwasaki, founder of the Mistubishi group. Iwasaki apparently re-designed the garden for entertaining business guests and comforting employees. He imported rocks from all over Japan and drew the pond’s water from Sumida River though the pond now relies on rain fall. The Mistubishi group donated the garden to Tokyo city in 1932, opening it to public use.

Egrets, Coy, and Tea

Kiyosumi Garden attracts Egretts throughout the year

Today, particularly on weekends, Kiyosumi is a popular hangout for families, old friends, and the occasional wedding party and tourist. You can buy bread to throw to the mass of coy swimming throughout the large central pond or sit on pagoda shaded benches admiring the park’s turtles and egrets. There is an almost interactive feeling to the park as you can enjoy frothed green tea at the pond perched sukiya tea house, picnics in Kiyosumi’s small park, or join the gaggle of photographers during peak seasons in the adjacent flower field. However, the central attraction which distinguishes Kiyosumi from any normal neighborhood park is the high quality and historic traditional Japanese garden design, picturesque reflection in the pond, and varied rocks.

Strolling Gardens:

The subliminally guided tour

Like in any Japanese strolling garden, how and where guests stroll is guided by the pathways’ design. The shape and spacing of the stepping rocks can even affect your pace and what you see. Smaller rocks, for example, may encourage quicker steps, while the larger rocks provide more space to stop and look around – maybe at a particular tree or vantage points. Kiyosumi’s iso-watari stepping stones which go slightly off the shore and into the water, are particularly notable and allow visitors better views of the fish and changing reflections in the pond surface.

Garden Map: http://www.tokyo-park.or.jp/english/park/detail_04.html

Kiyosumi Public Park & Sweet Potato on your way out to the MOT Museum


Outside of the garden walls there is the larger public Kiyosumi park (清澄公園) which occasionally has trucks selling yaki imo, sweet potato, and always feels like a neighborhood with families, sports, and picnics. The sign posted walk from Kiyousumi garden to the MOT has such a small neighborhood feel that actually reaching the museum may seem dubious at times. But the signs, somewhat casually tacked on lamps and street posts, have the easily recognizable MOT trademark in bold and track your progress with “you are here” markers on the loosely literal map.

Café Ippuku :

Grabbing an Iced Coffee and Neighborhood Chat


Along the way from Kiyousumi-Shirakawa station to the MOT, there are street front shops that sell local foods like inago, or small fried grasshoppers, and sweets like mochi and dango. For an iced coffee, chai, or fizzy glass bottle Ramune soda, look for café Ippuku. The café easily stands out because of the giant pepper sculpture politely seated in front of Ippuku’s doorway. Ippuku is a quant combination of local crafts, small gallery art, and nice owners. There is also a unique family feel as the owner of Ippuku’s husband also has his own gallery just across the street. Stay focused though because if you can make it to the museum after all of the distractions along the way, the world-class Contemporary Art mecca is never disappointing and certainly never boring.

*www.fukagawa-ippuku.jp (TEL. 03-3641-3477) 13:00-20:00/wed. 18:00 Clsd. Mon./Tues. (except Hol.)

The MOT:

Tokyo’s Museum of Contemporary Art


For the best all in one sampling of diverse and innovative contemporary art in Tokyo, the MOT is second to none. The Museum of Contemporary Art is an installation lover’s dream and always has at least two feature exhibits to choose from for separate ticket prices.

Content: Permaculture Restaurant


If all the walking to the MOT has peaked your appetite, Content, MOT’s basement vegetarian permaculture restaurant, serves the best local vegetables with an internationally inspired spin. The restaurant is based around its small vegetable garden, though most of the vegetables are bought from neighboring markets. For those on a budget, look for the plate of the day which is usually the best deal compared to Content’s menu which ranges from 1,000yen to 2,500 yen per dish.

http://www.mot-art-museum.jp/eng/index.html

Kiba Park (木場公園)

Neighborhood Sports and Trails

If you find yourself remiss at your decision to be indoors, MOT actually shares grounds with the larger neighborhood Kiba park (木場公園) . Basketball courts, running trails, and an expansive grass lawn attract Frisbee, sports, picnics, strollers, and just about anyone and anything on weekends.

Enjoying The Kiyosumi-Shirakawa Area


Particularly for those who need a break from Tokyo’s concrete, the parks, gardens, and neighborhood feel of the Kiyosumi –Shirakawa area are ideal for a summer afternoon or morning. For traditional and contemporary art lovers, however, skip the parks and go straight to the art! The MOT can entertain for hours and particularly with good company, Kiyosumi garden’s strolling pathways and shaded benches can feel endless.
ACCESS:

From Tokyo Station:
Take the Marunouchi Subway Line from Tokyo Station to Otemachi (just one station) and transfer to the Hanzomon Subway Line for Kiyosumi-Shirakawa Station.

From Shinjuku Station:
Take the Oedo Subway Line from Shinjuku Nishiguchi Station towards Iidabashi directly to Kiyosumi-Shirakawa Station.

Kiyosumi Garden
3-3-9 Kiyosumi, Koto-ku, Tokyo, 135-0024
Kiyosumi Garden Office Tel: 3641-5892
http://teien.tokyo-park.or.jp/en/kiyosumi/index.html

Hours: 9:00 to 17:00 (Entry until 16:30)
Closed: Year-end holidays (December 29 to January 1)
Entrance fee: ¥150 (Persons 65 and over: ¥70)
(No charge for primary school children or younger, and junior high school students living or attending school in Tokyo)

Kiyosumi Garden Access:
3 min. on foot from Kiyosumi-shirakawa Sta. (Toei O-edo Line and Tokyo Metro Hanzomon Line)
Toei Bus Line: JR Kameido Sta., North Exit, #7 Bus Stop (Line #33)
Take the Toyoumi-suisan-futo bus; get off at “Kiyosumiteien-mae” (3 minutes on foot).
*No parking available

MOT : Access & Hours

9 min on foot from Kiyosumi-Shirakawa Sta. (Hansomono Line from B2 exit)
12 min on foot from Kiyosumi-Shirakawa Sta. (Toei Oedo Line)

Open: 10am-6pm (tickets on sale until 5.30pm). Closed Monday, except if Monday is a national or substitute holiday, in which case it closes Tuesday.)
The Museum of Contemporary Art Tokyo
4-1-1 Miyoshi, Koto-ku, Tokyo 135-0022
Tel. 03 5245 4111
URL: http://www.mot-art-museum.jp/english/61/

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Getting in and Out of Nagano: Highway Buses, Trains, and Tolls

Highway Bus Rest Stop on Nagano-Shinjuku Line

There are 3 main forms of transportation around Nagano prefecture:

1) JR Trains

( Check www.hyperdia.com or www.jorudan.co.jp for train times and stations)

2) Highway Bus

3) Car

(Driving Directions: maps.google.com)

-The InterChange or I.C. is often the fastest and easiest way to get around Nagano but the tolls are expensive if you do not have an E.T.C. card which discounts all toll fees.
-Back Roads- If you are trying to save money by avoiding I.C. tolls, back roads around Nagano are curvy, but generally pretty easy and still well sign posted. They just take significantly longer than the highway usually.

The HIGH WAY BUS

Highway buses are an affordable, convenient resource for getting around Nagano prefecture and greater Japan, especially to and from Tokyo.

The only problem: accessing schedules and making reservations can be tricky if you do not speak Japanese, but it is very easy once you have the time tables and bus company contact information!

There is a bi-lingual chart for all the bus lines out and around Nagano through Alpico Bus Company

http://www.alpico.co.jp/access/express/index_e.html

*Note: Choose Your Line (for example from Matsumoto city to Shinjuku) And check the right side of the chart for the English list of stops which you can get on and off at. Stops range from city centers in front of main train stations to inter state parking areas and inter state bus stops. Reservations are always recommended and it is also helpful to check if you have to purchase your ticket at a bus office or if you can purchase your ticket on the bus.

*Trick
Purchasing a round trip ticket is often cheaper than buying your return ticket separately. Also, all bus times are the same price so once your ticket is purchased and reservation made – it is easy to change your bus time reservations if your plans change if you haven’t physically purchased your ticket yet.

Buses With-In Nagano Prefecture

Within Nagano, the trains can ofteb be ideal for shorter trips. However, what can take a train ride 6 hours (say from Nagano city down to Iida city, the highway bus can do in two or three hours without the inconvenience of changing trains. And usually at a fraction of the cost.

Again for all Bus Line Schedules and Stops check the Alpico website.

Matsumoto to Nagano Line

Kawanakajima Bus Reservation Center 026-229-6200(8:00-20:00)
Matsumoto Bus Center 0263-32-0910(6:00-20:00)

Matsumoto to Iida Line

Highway Bus Kawanakajima Bus Reservation Center 026-229-6200(8:00-20:00)
Highway Bus Matsumoto Reservation Center 0263-35-7400(8:00-20:00)
Highway Bus Ina Reservation Center 0265-78-0007
Highway Bus Komagane Reservation Center 0265-83-0007
Highway Bus Iida Reservation Center 0265-24-0007

Nagano – Matsumoto – Iida Line

Highway Bus Kawanakajima Bus Reservation Center 026-229-6200(8:00-20:00)
Highway Bus Matsumoto Reservation Center 0263-35-7400(8:00-20:00)
Highway Bus Ina Reservation Center 0265-78-0007
Highway Bus Komagane Reservation Center 0265-83-0007
Highway Bus Iida Reservation Center 0265-24-0007

Nagano to Saku

Kawanakajima Bus Reservation Center 026-229-6200(8:00-20:00)
Saku Reservation Center 0267-62-0010

Nagano to Hakuba

Kawanakajima Bus Hakuba Office

0261-72-3155(6:30-20:00)

Buses Nagano pref. to Tokyo via Shinjuku

Nagano to Shinjuku

Kawanakajima Bus Reservation Center 026-229-6200(8:00-20:00)
Keio Telephone Reservation Center 03-5376-2222(9:00-20:00)

Matsumoto to Shinjuku

Matsumoto Reservation Center 0263-35-7400(8:00-20:00)
Keio Highwaybus Reservation Center 03-5376-2222(9:00-20:00)

Hakuba to Shinjuku

M.R.C. Hakuba Reservation Center 0261-72-8255(6:30-20:00)
Keio Highwaybus Reservation Center 03-5376-2222(9:00-20:00)

Buses Nagano pref. to Nagoya

Matsumoto to Nagoya

Matsumoto Reservation Center 0263-35-7400(8:00-20:00)
Meitetsu Bus Center 052-582-0489

Nagano to Nagoya

kawanakajima Bus Nagano Reservation Center 026-229-6200(8:00-20:00)
Meitetsu Bus Center 052-582-0489

Buses to Osaka, Takayama, & Shinhodaka Available

The Best Part of the Highway Bus : Japanese Rest Stops

If you do not drive in Japan, then you should definitely take the high way bus once while here. Japanese rest stops vary in size and quality but generally they are extremely clean with enough omiyage (food gifts) and vending machines to entertain for hours.

If you take the highway bus from Nagano to Shinjuku you will generally stop once at a rest stop. The driver will tell everyone what time to be back on the bus once parked. The rest times are usually around 10 or 20 minutes so be sure to keep track of time because the bus usually leave right on schedule and will not leave without every passenger so any delay is very noticeable.

Highway Bus Stop Garden on the Way to Shijuku via Matsumoto City

Highway Bus Haikus:

Highway bus in Sprng
Surprise! Sakura Starbucks!
Rest stop Dai Suki.

The Glow of Vending Machines is 24hours even if you stop after the rest stop closes

High Style: The Bullet Train, Shinkansen


Getting into Tokyo for a weekend or even day trip is extremely easy from Nagano prefecture with the use of the bullet train (shinkansen) which is only an hour ½ from Nagano city to Tokyo station. But tickets are not cheap. For train times and ticket prices:

Check: www.hyperdia.com (click on the English page)


*Trick:
If you take the bullet train (shinkansen) out of Omiya JR station, just NW of Shinjuku, it is significantly cheaper than from Tokyo station.


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Young Love for the New and Old of Japanese Enka Music

It is hard to trace where my love for Japanese Enka first began. I can say that I grew up listening to it my whole life. My early childhood was spent living in Taiwan where Enka at the time was already mainstream and was a stable good on the radio, at the restaurants, and of course at karaoke. What further increased this popularity was Taiwan most famous singer Teresa Teng. For those who aren’t familiar with Enka, if you have ever been to an Isakaya, he will have heard her songs.

Anyways going back to myself, it often surprises people when I am ask in Japan, “What music do you like?” In which I reply, “Oh, Japanese Enka of course.” Almost always, I will get the Japanese motorcycle exclaim, “Ehhhhhh?!?” I get a kick out of that, with a large enough group of Japanese friends, they end up sounding like a motorcycle gang revving their engines. I attribute this surprise due to the fact that a majority of the Enka listeners are middle age and older persons. Well for one, the songs were popularized from their generation, the early 1960s throughout the 1980s.

These days, the Enka you hear at the Isakaya and on air a mainly repetitions of the oldies but goodies of 60s through 80s of Enka. Of course, those who follow Enka like me, will point out the recent young stars such as the African American Jero. But for me, I still prefer the older generation singers of Enka. It is my adamant belief that an Enka singer must possess not only a strong singing voice, but more importantly, their wrinkles of sorrow to fully portrait the emotions created by Enka writers and composers.

Most of the Enka singers of the time grew up under difficult childhood.  Many of them were children of a Post World War II environment that was not all that pleasant. When you watch these mature singers on the stage singing love tragedies or memories of precious moments, you can really feel the sorrow through their eyes and expression. To me, Enka takes its strongest form when you stare right into the eyes of these singers and listen to the melodies they sing. It doesn’t matter where you are from or whether you know what the words are, you can still relate to the loneliness and sadness emanating from these singers. Their smiles are the masks of courage covering their real sorrow from within.

In current popular culture, it is easy to get excited about the newest young stars or the catchiest pop songs. However, if you want an authentic genre of music unique only to Japan, I invite you to take a listen to the delicateness of Japanese Enka. So the next time you are eating out at an Isakaya, take a moment, and try and listen to the music they are playing. Even better, why not take a bathroom break to immerse yourself in the music? You may begin to feel a deeper reason of why middle age Japanese men enjoy the atmosphere of the Japanese Isakaya, because I guarantee you, it is not always about the drinking.

Now if you are interested in check this genre of music out, the best way is to walk down to your local media shop and ask for an Enka Best Collection CD. There are lots of great artists in each CD and it makes for a great memorabilia from Japan!

Some well known Enka Artists:

Ishikawa Yujiro

Okawa Eisaku

Itsuki Hiroshi

Misora Hibari

Teresa Teng

Ishikawa Sayuri

Posted in 5 Sound. JuneJuly. 2010, Enka Music, Music Japan | Tagged , , | Leave a comment

Summer Poetry: “Unfolding” by Justin K. Ellis

Hot summer comes now

Like the night after the day

Following warm spring.

The trees swell with green

And pile on the mountains

Like the pregnant clouds

That swim like fish the streams

Of the wide and seamless sky.

Soon those teeming clouds

Will groan and burst with rain,

Peirce the Earth with life.

Just so together

Is the water sown with light

So that the fresh sprouts

May then sojourn from the deep

And unfold unto the Sun.

Omi Mura, July in Central Nagano

Posted in 5 Sound. JuneJuly. 2010, Arts and Culture, Literature, The YomoYama | Tagged , | Leave a comment

Nagano’s Music Scene: Interview with Aya Hasegawa

It’s a Saturday night at Nagano City’s India Live the Sky.  The music between bands stops, and from behind the fog on stage steps a guitar-and-recorder welding 24-year old singer-songwriter named Aya Hasegawa.  Flanked by her lead guitarist, Shingo “Waku” Wakui, and her trumpet player, Sakura “Rappa” Wada, Hasegawa takes her audience through an acoustic-rock set filled with joy, angst, and a few jokes filled in between songs.

Thank you for letting me interview you.

Aya Hasegawa: It’s a pleasure.

So, how did you all get your start playing music together?

Aya:   During college, I was in a band.  It was there where I met Mr. Shingo Wakui (lead guitar)… or as I like to call him “Sir Guitar.”It was kind of this feeling of, like, “if we’re going to make music at all, let’s do this together”

Waku  (Shingo Wakui, lead guitar):  Yup.

Did you have any specific influences?

Aya:  Right now… I don’t really have anyone who I’d call my “inspiration” per se. But as for people I like to listen to,, I like to listen to the people who play the same style I play.

Waku:  Sheryl Crow is an inspiration… so are the Rolling Stones, but we each have our own influences.  Just because we have an inspiration doesn’t mean that we’re going to import that sound into our sound.

How would you describe yourself to someone who’s never heard you?

Waku:  Well, first I’d have to say that we’re built upon 2 acoustic guitars—not necessarily “acoustic” but more like “plugged-in acoustic…”  acoustic electric, if you will.  You know, it’s just a bigger sounding acoustic… you have greater possibilites to make to make sounds beyond “pure acoustic” that way

And the trumpet?  You don’t see that very much in acoustic groups.

Waku:  Yeah.  Well, most bands have a harmonica or something, but we decided to take it in a different direction.  The implication is that we can change the way that we present our music with the world. We just decided that it’d be a good way to broaden our sonic palette. We recorded with a trumpet, and decided to just add Sakura (trumpet) as a member.

You’ve gotten pretty famous recently, yeah?

Waku: (laughs) Are you serious?

Yeah.  I’ve seen you play packed houses all the time. How’d you get so popular?

Aya:  Dude, we’re not popular.  (laughs)  We just have the same group of people constantly coming to our shows (everyone laughs)… but when I think about it, even those guys who come to every show have a good time, so it’s all good, right?

How did you come up with the album title “Monochrome?”

Aya:  The first song that we wrote together was called Monochrome, so it’s only natural that it would be the album’s title.. but instead of black and white, we chose to use red and white because just it has a harder impact.  All of our songs, we can sort of divide them into “white” feeling and “red” feelings.

Waku: What she means to say is… in a monochrome world, everything is normally black and white to normal people. But in her world, she sees things in “red” and white.  She kind of wants everyone else to live in her world in that sense.

Who usually makes the lyrics in your band? What do you think of?

Aya:  I think about how I feel… things I’ve experienced,  you know… hope, dreams, those kind of things.

Waku:  In our band, the way it usually works is that Aya writes the lyrics first, and based upon those lyrics, I add a melody.  Though our trumpet player thinks of her own parts.

Last question: Do you have any message for the Nagano foreign community?

Waku: We want you to come see us.  You know.  Music is a universal thing.  Genres aren’t the same thing as countries, you know?  If you want to come hear us do our thing, it’d be great.  If we can reach you with our music, that for us would be the best thing.

Aya: Ditto

Aya’s next shows are:

August 5:

at Nagano City Minami Chitose Park

August 12:

on Nagano Chuo Dori (street live)

August 15:

at Iizuna Highland Hall

August 28:

at India Live The Sky (Nagano City)

For further information:

http://13hp.jp/?id=hasegawa&ak

Posted in 5 Sound. JuneJuly. 2010, Local Musician Features, Music, Music Japan, The YomoYama | Tagged , , , | Leave a comment

Ganesh Belgium Beer Bar, Matsumoto

Ganesh is known amongst foreigners as Matsumoto cities’ micro-brew and international beer headquarters because the small, normal seeming bar has a uniquely diverse and international menu. In typical Japanese bar fashion, Ganesh’s import beers run a bit steep at 1,000yen a bottle. However, Ganesh is a bar of quality over quantity where tempered enjoyment is more fitting than raucous rounds. For one drink or an evening of drinking, start at Ganesh, but if beer becomes just beer you might as well wander down to an izakaya, a more standard Japanese bar/pub (for your wallet’s sake).

Ganesh setting is nice, but it excels in rare brews and beer connoisseurship. Because Ganesh is based around Belguim beers, a country where each brand can have its own glass, Ganesh specializes in the art of serving beer. Portland’s Rouge beer comes in a Pilsner glass, Mexico’s Dos Equis is garnished with lime atop a Stange’s slender cylindrical shape, and the Belgian Chimay is of course served in its own Chimay branded chalice-shaped goblet. Ganesh’s best deal and closest thing to a novelty beer is the 500 ml bucket like Hoegaarden white ale, which requires two hands to drink and is always on tap.

The self-titled garage bar has a clean simple aesthetic and stylish, but not overly trendy or themed, atmosphere. As a second floor restaurant, Ganesh’s street front windows make the room feel more spacious and lighter than the average den like izakaya. However, squeezing in large parties on a weekend night can sometimes be challenging in the small to mid-sized bar which fills up quickly.

With young owners and an International menu, Ganesh attracts a lot of the foreign community and local twenty-thirty somethings of Matsumto. The owner is from a small town North of Matsumoto but after studying beer and its trade in Tokyo he returned to open Ganesh just two years ago with his fiancé. His favorite beers are American micro-brews like Redhook and Rogue, though Ganesh’s most popular beer is the light Hoegaarden white on draft.
If you visiting Japan for a short time, you may as well skip Ganesh’s prices and experience a more typical Japanese izakaya with edamame, draft Asahi beer, and enka ballad music. But, if you are a foreign or local resident craving a Belgium beer or local Nagano Shiga Kogen micro brew, Ganesh is the best place (and maybe only bar) for specialty beer lovers.

*If you are looking more for an Irish Pub feel, take the extra 15 minute walk to Old Rock pub located across from Parco Shopping Mall (also in Matsumoto City)

Access:

5 min. walk from JR Matsumoto train station. From the station take the cross walk to the left of the main intersection. Then take the street to the left and look for a yellow Coco’s curry street level restaurant with large yellow sign. Ganesh is just after Coco’s on the second floor- accessed by a street level external stair well.

Hours 17:00-3:00a.m. (L.O. 2:30)

Text and Image by Whitney Conti

Posted in Bars and Live Music, Beer and Wine, Matsumoto, Nagano, Places | Tagged , , | Leave a comment

Gen Macrobiotic Kitchen Matsumoto

Gen's central seating surrounds an antique irori, built-in hearth

Matsumoto finally has an organically minded, vegetarian option thanks to the two month old Gen Macrobiotic Kitchen. Not that every city mandates local and organic cuisine options (though it should) but the absence of a local vegetarian based restaurant in Matsumoto city is odd for Matsumoto which is the prefecture’s youngest and most stylish city firmly rooted in arts and the surrounding nature of the Alps.

Farmers and Restaurant Owners

Gem is owned by Miho and Masa, two young farmers from Ikeda, a town about forty minutes away. They eventually hope to supply all of Gem’s vegetables with their Ikeda farm’s harvests, but for now most of Gem’s ingredient’s come from neighboring farmers in Ikeda’s farmer co-op, of which they are also members.

The Menu

A june plate of the day: quiche, macrobiotic bread, brown rice soup, and pickled greens

Gem debuted just before Matsumoto’s Arts and Craft Fair, catching summer strollers on their way

to the City Museum of Art, which is just three minutes up the street. Their menu is surprisingly exte

nsive despite the niche macrobiotic market and Gen’s small size. In fact, meat eaters will find a familiar list of Japanese dishes which Gem has made vegetarian, like karage or fried chicken made instead with soy and veggie substitutes. Their specialty is definitely, however, the recommended plates of the day usually served with soup and brown rice for around 1,000yen.

Farm House Interior

The décor is sparse with hand written poetry on the walls and a simple calculator to add bills which rests atop an out of use antique cash register. The restaurant feels like an old farm house, or minka,  because Miho and Masa transplanted 150 year old wood from a country home for the small restaurant’s tables and paneling. Gem’s atmosphere is soft and calming, but not particularly inviting for an afternoon or coffee and book. Though the wood and organic aesthetic is reminiscent of many cafes throughout the prefecture, Gem is first and foremost about the food. The square central table, planted around an antique heath, is perfect for fostering community by affording strangers the opportunity to share a table. But, there is also private tatami tables which seat two to four for private or individual dining.

Corner Shop

If you don’t have time for a bite, many also stop in just for Gem’s small corner store that stocks oats, rice milk and other rare items common to macrobiotic diets. Currently the store supplies are limited, but I imagine as Gem grows in popularity, which I foresee it to as the only store and restaurant of its kind in the city, so to will their selection.
If you are in the city for lunch, Gem is a wonderful and unique stop. If nothing else, drop in for a Sun Sun Organic Ale and check on their macrobiotic baked goods of the day – which are usually varying types of breads and cakes.

Access:


15 min. walk from JR Matsumoto Station. From the station just walk straight down the main street towards the Matsumoto City Museum of Art. Just After you pass CoCo’s family restaurant on your left, Gen will be on the corner of a small intersection (still on your left).

http://www.gennosato.com
Tel: 0263-39-3393
11:00-18:00

*You can also get a bus- just ask the tourism office or bus stop for schedules

Posted in Japanese, Matsumoto, Nagano, Organic, Places | Tagged , , , , , | Leave a comment

Jump into Summer…literally: Lake Aokiko

Lake Nojiriko, Nagano Prefecture

In tourism materials, Nagano’s alpine peaks and winter skiing usually outshine most of the prefecture’s arts, culture, and other outdoor activities. But in summer, locals know that the most refreshing way to enjoy the mountain’s lush greens is from the pristine waters of Nagano’s many lakes and swimming holes.

In the North of the prefecture, Lake Nojiriko is ideal for water sports like wake boarding and boating. But for swimming and camping, many go straight to the smaller and less populated Lake Aokiko, between Omachi and Hakuba.

Lake Aokiko

 

 Lake Aokiko is hugged by dense trees, cabins, and a shaded road which doubles as a perfect running or biking trail. Aokiko’s spring fed water is particularly popular for swimmers and fisherman because motorized boats are prohibited. The glassy lake surface is also exceptionally clear and swimmers can often see 3 or 4 meters down.

Camping and BBQs


Aokiko is ideal for camping and BBQs. During the day, the lake reflects an impressionists’ palette of blues and greens but on a cloudless night, Aokiko becomes an expansive basin of stars. For accommodation, there is an official camp site on the water’s shore, with small cabins, tent sites, and basic facilities, as well as the numerous pensions and lodges surrounding the lake.

Kayaks and Canoes

If you are in the mood for a paddle or brushing up on your kayak rolls, Hakuba’s Evergreen outdoor center offers Kayak lessons and canoe tours on Aokiko throughout the summer.

Nagano may not have any waves, but Aokiko is the best swimming and paddling in the prefecture.(photo by Martin Chenhall)

Posted in Hakuba, Nagano, Places, Water | Tagged , , , | Leave a comment

The Buisness and Burritos of Surviving as a Community Art Space in Tokyo

by Whitney Conti

Musicians aren't charged for in house equipment use or stage space at the Pink Cow, a rarity in Tokyo.

Traci Consoli is an idealist and a workaholic. Ten years ago, she was an active painter living in Tokyo, but since opening Shibuya’s international art mecca and burrito haven, The Pink Cow, she works 100 hours a week and hasn’t had a day of vacation.

Traci is a longhaired, red headed California native. While we talk, her laid back accent is complimented by clanking bangles and turquoise jewelry. Occasionally she says “dude” and frequently talks about her staff as a family and The Pink Cow as home. Coming from a strong Italian-American background, it wasn’t until moving to Tokyo twenty years ago that Traci felt a lack of community in her life.

“I thought, God, I had lived here in Tokyo for ten years and I really missed there being a community art space. I always kept thinking somebody will open one, somebody will open one.” Nobody did. Consequently, in 2000, Traci started on the incredibly ambitious Pink Cow, a place where stage and walls are free of charge for artists and viewers.

Being a Free Gallery Space in Tokyo

The Pink Cow is an anomaly in Tokyo’s gallery world, where six days is a common exhibit length and artists have to rent wall space at exorbitant rates. High rental fees are the primary way galleries make money because, Traci says, “art doesn’t sell very well in Tokyo. People don’t have the walls.”

Despite Tokyo’s expensive real estate and maintenance costs, The Pink Cow is artistic idealism at its best. Artists get a full month to show their work and do not have to pay a dime. The Pink Cow provides musicians and performers with equipment and stage free of charge. The only stipulation for arts and events is no frontal nudity, a rule pushed in the monthly burlesque show and live drawing class “Dr. Sketchys.” And the cherry on top for customers is no cover charge.

The Business of Community Space

Pictured above is owner and founder of the Pink Cow, Traci Consoli, working on a side table before the restaurant gets too busy for her work tuckaway. How can Traci possibly afford to provide this vehicle for Tokyo’s artistic community? She can’t, really. Though The Pink Cow is a vibrant and thriving art space and restaurant averaging thirty events a month, Traci’s client base is mostly struggling artists and students. To fund the art, the Cow relies entirely on its food and drink menu based around mouthwatering burritos and imported beers.

Recently The Pink Cow was featured in Tokyo’s Metropolis magazine as part of a growing trend of Tokyo restaurants that are doubling as galleries. However, The Pink Cow isn’t just part of the trend – it started the trend. Traci says that the important difference here is that “where as other places are restaurants that hang art up, we are based around the art.”

After ten years of exhaustion, Traci is looking at expanding her business model to make the most out of how her food can fuel the art. She is entertaining ideas for the Cow’s future involving corporate partners to franchise the Pink Cow’s popular beer and burritos model. She says, “If we can make a successful regular business we can turn that profit back into the community and art side. We would really like to get NGO status from the States and separate the arts and the business sides. Because right now we fund all of the arts out of pocket and honestly we can’t afford it.”

The Demand for Home in Tokyo

There is a large need for the Pink Cow in Tokyo. Events are often packed and every night of the week something is happening. Beyond its service as a gallery space, the Cow acts as an integral networking platform and resource for the international arts and business communities residing in Tokyo.

Though The Pink Cow is ex-patriot and foreigner heavy, there is a large base of Japanese regulars and new visitors attracted by events like International Lounge Nights that are designed to bridge the foreign and Japanese community. Datiko, an American who moved to Tokyo last October and a first time visitor to the Cow, says that, “the most difficult thing for me recently is to realize in Tokyo you are with your group.” For many, The Pink Cow provides a unique homey and open environment conducive to breaking those group barriers.

The Pink Cow is not the only comfortable space attracting arts and foreigners in Tokyo. However, Hiroshi Yamamoto, an older Japanese regular of The Pink Cow, says “this is special because the people are different here, people are more calm compared to Roppongi. [It’s] like a family kind of place.” Hiyashi regularly drops into the Cow on his commute home from work for the “live music and [the] good personality of the people here. It is very relaxed and open minded.”
Surviving in Economic Recession

The Pink Cow’s trinket entrenched walls, complete with hanging seagulls, strings of multi-colored hot pepper lights, and comfortable furniture make entering the space feel like sinking into a friend’s living room. The community feeling also makes it easy to forget that The Pink Cow is an independent, local business trying to survive in one of Tokyo most popular districts at a time of economic recession.

The Pink Cow's famous California inspired burrito.

Singer-songwriter and Pink Cow family member, David Mashiko, says that, “all it takes from each individual who comes in to have a good time is just to buy a meal and a few drinks. If enough people do that, it makes our time worthwhile and pays for the venue. Unfortunately with the economic recession a lot of people have lost touch with that.”

If you are interested in showing your work at The Pink Cow:

-mail your JPEGs, website, or portfolio to: cowmail@thepinkcow.com

Stipulations: you need to live in Tokyo. The artist has to be the curator, organizer, and maintainer of their own show. Generally, the success of a show and sales is completely up to the artist and their own marketing and PR efforts.

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The Matsumoto Craft Fair: Upholding the Arts and Crafts Movement in Soft Toned, Natural Style

by Whitney Conti

The Matsumoto Crafts fair is burgeoning all weekend in Agatano Mori park. Attendants and artisans have come from Tokyo, Kyoto, and all over Japan to showcase a slice of Japan’s arts and crafts subculture at one of Japan’s biggest Arts and Crafts fairs. Stands feature handmade wooden kitchen ware, wools and silks, ceramics, miniaturized figurines, and the occasional eccentric burst of mosaic porcelain or polka dotted peppers.

The crafts fair, to be distinguished from an art festival, features mostly day to day practical items that emphasize natural materials and finely tuned craftsmanship. Unlike an arts festival with more fine arts like painting, photography, or funkier eccentricities, the crafts fair has an overall tone of natural cottons, tans, and woods. Many of the ceramic vendors, for example, have avoided colorful glazes or highly individualized pieces in favor of smooth whites and simple style.

Part of the attraction of the crafts fair is the atmosphere and attendants, whose fashion seamlessly blends with many of the arts featured.

Cute plaid dresses, thick rimmed black glasses, and an overall feeling of organic trendiness radiated from many of the young families, dogs in toe, or bicycle driven attendees.

The food stands are Nagano regulars who make the rounds at many of Nagano’s summer arts and eco festivals. Organic curries, iced chai, and homemade gelato attracted thirty minute lines and many of the bakeries sold out of their home made goods before 3:00pm. In many ways, the blue VW vans and rust orange trucks selling pho noodles and brown rice add more color to the festival than most of the crafts booths tucked throughout the park.

Overall, the festival is a delightful day outing set in the lush greens of Agatano Mori park. Though all the booths have nice pieces, only a small percentage of the stands stand out as distinctive. If you are in the market for a nice bowl or cup for example, finding just the right one can feel overwhelming in the wash of similarly styled ceramicists. However, Matsumoto craft fair is perfect for a nice stroll full of Japan’s distinctively calming craft styles.



Beyond the weekend, Matsumoto Museum’s Exhibit


The crafts fair is part of Matsumoto’s Crafts Month which has produced a guide to the cities’ best artisans (in Japanese) available at JR Matsumoto stations’ tourism office (open until 6:00pm). The Matsumoto City Museum of Art is featuring the work of Matsumoto born artist Miyosawa Motoju  until June 6th. The exhibition revolves around Miyosawa’s 60s and 70s patterns, prints, and typographies. The artist and writer is famed for his stencils and dye work. The Museum is exhibiting book cover illustrations, hanging scrolls, folding screens, and many of the mediums which have made Miyosawa famous as a folk artist.

Many pieces exhibited are in keeping with the arts and crafts movement as interior design heavy and home décor friendly hangings. Some farm animal prints, for example, you may expect more on a kitchen wall than in a museum showcase. The exhibit is highly interesting as a reflection of 1970s and 1960s design and Japanese katazami dying techniques which utilize cloth materials and Japanese paper.

Admission: Adults 1,000 yen
Hours: 9:00-5:00 / clsd. Mon.

http://www.city.matsumoto.nagano.jp/artmuse/p3/p3-html/p3-kikaku08.htm
http://miyosawamotoju.jimdo.com/

Posted in Exhibits, Museums and Arts | Tagged , , | Leave a comment

Japanese Idioms

By Jon Perry

Graphic by Michael Richey

Some months ago, I was quaffing beer contentedly with a grizzled old Japanese man as we watched his baseball team, the Hanshin Tigers, do battle with the less threateningly named Hiroshima Carp. As often happens when men and beer are involved, we decided to have a bet. If the Tigers won, I would buy him a bottle of whisky, and vice versa if the Carp triumphed. When the Carp went 10-5 up in the 7th, I was pretty confident that I would soon be the proud recipient of a fine bottle of single malt, and in my intoxication I may have gloated in a somewhat ungentlemanly fashion over the fact. My companion turned to me and said sagely 「捕らぬ狸の皮算用」(toranu tanuki no kawa zanyou, lit. you’re counting the skins of tanuki (raccoon dog) you haven’t caught). If he had been English, he would likely have said `Don’t count your chickens before they hatch`. And of course, he was right. The Tigers snatched victory from the jaws of defeat (窮地を脱して勝利をつかむ, kyuuchi wo dasshite shouri wo tsuukamu), winning 11-10, and I looked like a fool. A poor, whisky-less fool. You reap what you sew, I suppose (自業自得, jigou jitoku, lit. self enterprise, self profit).

Idioms like this, though, are the perfect way to liven up a Japanese conversation. Japanese acquaintances will be impressed, your range of expressions will expand, and you gain an interesting window into the relationship between language and culture. It might be something of a hoary old stereotype, but can any sentence more concisely describe Japanese society (and education in particular) than 出る杭が打たれる (deru kui ga utareru, the nail that sticks up will be hammered down)?

Some emotions and concepts are of course universal, and so we can find complementary expressions in English and Japanese such as the chicken/tanuki example above. In the same vein, 郷に入れば郷に従え (gou ni ireba gou ni shitagae, follow the customs of a village when you enter it) is easily equated with `When in Rome…`, and perhaps good advice for all of us trying to find our feet in Japan! I often have to remind myself that silence is golden (言わぬが花 iwanu ga hana, lit. not saying is the flower) when an unreconstructed male colleague airs his view on the place of women in the workplace. After all, trying to get him to change his views would be like talking to a brick wall (馬の耳に念仏 uma no mimi ni nenbutsu, saying a Buddhist sutra to a horse), and even if I shoot a cold look in his direction (白い目でみる, shiroi me de miru, look at something with white eyes) it’s common knowledge to everyone and his mother (猫も杓子も, neko mo shakushi mo, even to cats and ladles) that he’s entirely

insensitive to the subtleties of non-verbal communication, so it would be a futile effort (焼け石に水, yakeishi ni mizu, a drop of water on a burning stone). Instead I’ll just go back to my tiny (猫の額, neko no hitai, the size of a cat’s forehead) apartment and rage (原が立つ, hara ga tatsu, one’s stomach stands up) there for a while. Though of course, the best thing would just be to forget all about it(水に流す, mizu ni nagasu, let it flow away in the water)and move on.

I hope this introduction hasn’t all been Double Dutch (ちんぶんかんぶん,chinbun kanbun, ancient Chinese) to you!

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Eonta jazz et booze Matsumoto Jazz Bar

by Whitney Conti


Eonta is the kind of jazz bar that intentionally plays its music at a volume just louder than comfortable conversation. Anyone, regardless of jazz interest, can enjoy the throwback style and shoebox size of Eonta, but the bar’s strength is the focus on the music.

No Talking Tuck Away


Kazuki Kobayashi, owner of the thirty-six year old café, hand picks each record played and displays the album near the doorway. The most unique element of Eonta is unquestionably the listening area which prohibits talking.  Horse shoe shaped seating wraps around three dimly lit desks (presumably for eating) facing two speakers reminiscent of adult size cubbies you could crawl into.

Bill Evans and Chick Corea

Kobayashi isn’t a musician himself, but his expansive listening taste is chronicled in the shelves of vinyl and CDs lining Eonta. After a stint as a music producer he even booked jazz legends like Bill Evans and Chick Corea to play Eonta in the early 1990s, an epic feat for a café of Eonta’s size and geographical obscurity. Though the stairwell is lined with artists’ signatures, the café no longer hosts live music.

Drinks and Antipastos

There is no cover charge for seating but it is strongly encouraged, if not mandatory, to

purchase a drink to sit down. The drink menu is standard with a very deliberate selection of specialty drinks like Duvell beer, cuba libres, or ameretto gingerale which seem cohesive in their random international flair.

The food menu is heavily influenced by French and Italian cuisine with salami, prosciutto antipastos and gorgonzola risotto pastas. But it is hard to escape the izakaya feeling heavy in many Japanese bars where the food is still bar food. Though Eonta’s menu accommodates dinner easily, it is first and foremost a jazz bar specializing in smaller dishes like pate de foil de volaille or dried fruits.

Hours:

4:00-12:00p.m.
Wed. Closed

Access:

Walk towards Matsumoto Castle on the main street. Two lights before the castle (the light before the intersection with the Family Mart convenience store) turn right.

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Koiwa Workshop Blog May 19th

First explanations on the loom

by Tom Jones

After a request from an Australian guest, Ryokan-keeper Tyler Lynch arranged
a hands-on tour of the Koiwa Workshop, where traditional Ueda Tsumugi
techniques are still in use. As well as learning about the history of silk
production, which flourished during the late Edo era, participants were able
to take a seat at the craftsman’s loom and weave a souvenir piece of their
own. The authentic outhouse buildings and warm welcome make this a great
day-out for anyone in the Ueda area.

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